KATHMANDU: In this edition of Seven Questions, Nepal News features Srijana Adhikari, who first stepped into performance through street theater and has since spent nearly 15 years shaping a versatile artistic journey across stage and screen. From plays like Malami, O Star Duniya, Sunkesari, and Degree Maila to directing Milk Tea and Saledo, Adhikari has steadily built a reputation as both performer and storyteller. Her filmography includes Red Monsoon, Laaj Sharanam, and Koshedhunga, while her latest appearance in Paral Ko Aago is currently drawing attention in cinemas.

In this edition of Seven Questions, she reflects on art, discipline, and the evolving language of performance.

You have acted in and directed plays, even run a theater, and are active in cinema. Which medium gives you the most satisfaction?

I am genuinely drawn to all forms of art. I began with theater, then moved into advertising for a while, and even ran a theater space. Now I am active in cinema as well. I feel fortunate to have experienced all these mediums. Each one gives me its own kind of joy.

How different are your preparation and approach between theater and film?

Theatre gives you the freedom to build a character slowly and deeply during rehearsals. It is organic and immersive. Cinema, on the other hand, is more technical. You often work with retakes, precision, and camera awareness. Both are beautiful in their own way, just expressed differently.

Has any character you performed or directed changed your personal outlook?

Yes, Radha from my play Milk Tea, which I both directed and acted in, has stayed with me the most. That character influenced me beyond the stage. It subtly shifted how I see certain aspects of life.

Your pairing with Saugat Malla in ‘Paral Ko Aago’ is being appreciated. How was your experience working with him?

I had worked with Saugat Malla earlier in Shree 5 Ambare, which was a very enjoyable experience. In Paral Ko Aago as well, audiences have responded warmly to our pairing. Working with him is always a learning experience; he brings a lot of depth to the set.

Screenshot of a scene featuring Srijana Adhikari and Saugat Malla from the movie ‘Paral Ko Aago’

Has your theater venture, Purano Ghar Theatre, slowed down or closed?

Running a theater is emotionally fulfilling but financially demanding. It was not possible to sustain it entirely from personal resources, so it has been paused for now. It is not closed permanently. I have simply stepped back to reorganize my time, but theater remains very close to my heart.

As an artist, what is your dream at this stage of your career?

I still want to do meaningful and challenging work. Every project I have done so far feels like a learning experience. I always hope to work with strong directors and production houses that push me creatively. I want opportunities that challenge me and allow me to prove myself again and again.

What are your future plans for theater and cinema?

Theatre may be quieter right now, but it will always remain my first love. I still see it as my artistic anchor, and I hope to direct more plays in the future. In cinema, I want to explore more diverse and layered characters. I also have a few short film ideas that have been with me for years, and I hope to bring them to life when the time is right.

Srijana Adhikari as character Suwa in the movie ‘Laaj Sharanam’